Contagious

BT Progress

Dan — Wed, 11 Jan 2012 19:27:19 +0000

Whoop whoop!

Boxed Thoughts and i4Siri

Dan — Thu, 29 Dec 2011 22:03:49 +0000

Extending my portfolio is going to be great, I’ve got a couple of great things in the works!

First and foremost, Boxed Thoughts will be getting a major makeover in the next few weeks. I am almost done with some code writing on that and it will be launched separately from the main app.

Next, I am participating in the i4Siri project in an attempt to create a Siri server for those who do not have an iPhone 4S (like me). And boy, I can’t wait to get started.

Edit: Scrap i4Siri, another developer was more available and I decided I’d rather use my time to push out the next release of BT (which is impending). yay!

Whats to come:

Dan — Mon, 05 Dec 2011 14:49:12 +0000

Things to expect over the next week:

Part 3 of my tutorial series
More stimulating blog posts about nothing!
A guide to the world of Twig!

I love being creative.

Dan — Thu, 01 Dec 2011 05:28:54 +0000

I am an artist at heart.

Does anyone else feel the need to constantly create new and inventive things? For example, I am painting, writing content (whether it be for my blog or something), and building websites all of the time.

I think that’s why I love programming and PHP so much, it allows me to create whatever I can think of.

Anyway, I was sitting here thinking about how amazing Tarantino’s script for Kill Bill was and am lusting to create my own extreme story in my free time. Amazing action story, here I come.

Yuki’s Revenge

Dan — Tue, 29 Nov 2011 20:50:08 +0000

Kill Bill is quite possibly the most amazing and most incredible story of all time. Fact.

Yesterday while I was scrubbing around the net I discovered that Tarantino created an additional chapter to follow Showdown at House of Blue Leaves called Yuki’s Revenge.

Yuki’s Revenge is a chapter dedicated to a girl named Yuki, twin/little sister to Go-go, stalking the bride to enact revenge for the death of her sister to The Bride.

Man, it was amazing. So amazing that I was late to work because I just couldn’t take my eyes off of it. Had to post it in my blog for those who want to read it and safeguard it in my archives! Enjoy. (source)

The following chapter is taken from the Kill Bill Vol.1 Script Before the final shooting. This means that this is the raw, unedited version of the script. Therefore, you will notice some mirror-dialouge between Yuki and The Bride. Some key abbreviations to take note on: POV (Point Of View) B.G. (Background). I have no idea what C.U. stands for.

Chapter Five

YUKI’S REVENGE

We hear music under this card…

MONTAGE OF YUKI coming to Los Angeles cut to music.

We see YUKI dressed in her Japanese private schoolgirl outfit
with white blouse, plaid skirt, bobby socks, blazer, and
barrettes in her hair, flying on a jet enroute to Los
Angeles. She paints her fingernails with bubble gum-colored
nail polish.

Yuki walks through LAX.

Yuki standing next to a CAR SALESMAN on a California car lot.
She points at a car in front of her.

We see her cool convertible sports car and her finger
pointing at it.

We see Yuki behind the wheel of the sports car, driving as
fast as she can through the twists and turns of the Hollywood
Hills, laughing all the way.

We see Yuki running around all over LA, Hollywood and
Disneyland taking pictures with her disposable Barbie camera.

SPLIT SCREEN

Yuki’s Side

The Bride’s Side
PHOTO: Yuki with the The Bride on an airplaine
Hollywood sign in the b.g., flying to Los Angeles.
she points to it.

PHOTO: Yuki in front of the

The plane lands in L.A.
Chinese Theatre.

PHOTO: Yuki at Grauman’s
Chinese Theatre, wearing a

The Bride walks off the
cowboy hat, in front of Roy plane with the other
Rogers’ and Trigger’s hand passengers.
foot and hoof prints. She
holds her fingers like a
six-shooter.

PHOTO: Yuki posing with a

The Bride walking
celebrityshe’s bumped into. through LAX.

Yuki behind the velvet ropes
of a Hollywood premiere with
the other fans. She watches
the STARS walk the red carpet
with her autograph book in her
hand.

YUKI screaming on a roller-
coaster.

PHOTO: At Disneyland. Doing
a Bonnie and Clyde-style pose
with a Captain Hook. And
another photo in between
Chip N’ Dale.

CU YUKI

CU The BRIDE
walking, stalking, and walking through LAX.
eating huge ice cream
waffle cone.

SPLIT SCREEN (CONT’D)

YUKI’S SIDE

THE BRIDE’S SIDE
We see Yuki is tailing the We see The Bride is
Bride through LAX. being followed by Yuki.
Our heroine is unaware.

Yuki driving her sports car.

The Bride renting a
Stalking. motel. We see Yuki’s
car drive by in the B.G.
through the motel’s
picture window.

MEDIUM CU of Yuki wearing a

YUKI’S POV:
whiteuniform, and taking The Bride entering her
money. Her eyes watch yellow pickup truck
something off screen. parked in front of
Vernita’s house.EX CU: VERNITA GREEN’S
an ice cream man, and is name in the Bride’s
selling ice cream to kids notebook. She draws a
from an ice cream truck on black felt pen through
Vernita’s block. the name.

THE BRIDE
(to herself)
Two down, and three to go.

CU Yuki’s face as she watches

The Bride driving away
the Bride drive away. from the scene of her
latest victory.

CU Yuki, smiles. Now’s the

YUKI’S POV: The yellow
time. pussy wagon drives away.

Yuki, at night, sitting in

YUKI’S POV: The
the surveillance seat of her exterior of the motel,
sports car. Her hands are the Bride is staying in.
busy below frame. The motel is located on
a Hawthorne residential
street. Her yellow
pickup truck is parked
on the street.

SPLIT SCREEN (CONT’D)

YUKI’S SIDE

THE BRIDE’S SIDE
Yuki loading an Israel The Bride, on the phone,
compact sub-machine gun booking her flight out
that lays on her plaid of LA to Texas, as she
skirt lap. packs her crap inside
her motel room.

The Bride carries her
stuff, the Hanzo sword,
her money in a backpack,
and her other stuff in a
canvas duffle bag.

CU YUKI watches. Weapon

She carries the stuff
locked,loaded, and ready. from indoors to
She makes a line of baby outdoors to the yellow
blue powder on the pickup.
dashboard, then snorts it
up her nose.

A SUBTITLE APPEARS UNDERNEATH:

DRUG of Bill’s own concoction.
He calls it, “The Blues.”

The drug affects her. Now’s
the time.

Yuki gets out of the car

YUKI’S POV: We see the
and heads for the Bride from a distance,
oblivious Bride. by her truck.

Cu Yuki walking towards the

YUKI’S POV: Approaching
Bride. the Bride from behind.

A camera behind Yuki as
she walks, holding the
sub-machine gun behind
her back.

FULL SCREEN

We stay with Yuki’s side as she stops across the street from
the Bride. During their face-off we only see the Bride at a
distance.

The Bride is in the b.g., back to us packing her trunk, just
about ready to make a clean getaway…

WHEN…

Yuki yells to the figure across the street.

YUKI (JAPANESE)
Conigute wa!

We see the back-turned figure of the Bride slightly freeze
upon hearing the Japanese greeting. Without turning around
she says;

THE BRIDE (JAPANESE)
Conigute wa.
(pause)
Yuki?

YUKI (ENGLISH)
Bingo!

THRILLER MUSIC begins on the soundtrack.

The Bride turns around to face the young avenger.

THE BRIDE (JAPANESE)
Can I help you?

YUKI (JAPANESE)
You can kill yourself.

Yuki giggles.

YUKI (JAPANESE)
Taking a trip?

THE BRIDE (JAPANESE)
I was.

YUKI (JAPANESE)
You still are. One way.

THE BRIDE (JAPANESE)
I know you feel you must avenge
your sister. But I beg you…walk
away.

Yuki giggles.

YUKI (JAPANESE)
You call that begging? You can beg
better than that.

Yuki giggles. Then she takes out a flashlight, and switches
on the beam.

YUKI (JAPANESE)
Can I see your face? I’ve heard
your beauty is exquisite. I would
like to see for myself.

THE BRIDE (ENGLISH)
Sure.

Yuki shines the flashlight beam in the Bride’s face.

YUKI (JAPANESE)
Ohhhh,…look how pretty your face
is. Oooohhh,… I want to touch it.

THE BRIDE
Domo.

YUKI (JAPANESE)
Your face is so pretty, I just want
to put both of my palms against
your cheeks and give you little
tiny kisses.

Yuki then shines the flashlight up into her own face.

YUKI (JAPANESE)
How do I look?

THE BRIDE (JAPANESE)
Very pretty.

YUKI (JAPANESE)
You’re just saying that ’cause I
told you how pretty you are.

THE BRIDE (JAPANESE)
Yuki, you’re gorgeous.

YUKI (JAPANESE)
Really? Is that how you’d describe
me to somebody if I wasn’t here?
Yuki’s gorgeous?

THE BRIDE (ENGLISH)
You bet.

Yuki giggles.

THE BRIDE (JAPANESE)
Don’t make me kill you.

YUKI (ENGLISH)
Okay.

Yuki removes the Israel sub-machine gun from behind her back
and FIRES A LOUD INTENSE VOLUME of firepower at The Bride.

The Bride dives out of her way, just as her yellow pussy
wagon is demolished by the ammo.

The Bride, with her samurai sword in her hand, and her
backpack full of money, takes off running across a couple of
front lawns…

Yuki chases her with machine gun fire…

The Bride LEAPS over a long hedge…disappearing Behind it.

Yuki runs after her, firing all the way, destroying the
hedge…

The Bride darts across the street, she hits the ground and
rolls under a Volkswagen van.

Bullet FIRE EXPLODES all around the Bride as she rolls out on
the other side. She removes her 9mm automatic and returns
fire from behind the van.

Yuki yells to her in English;

YUKI (ENGLISH)
You think you’re safe! I say; Ha!

She takes out a hand grenade, removes the pin with her teeth,
and slides it towards the Bride.

The Bride sees the live hand grenade skidding and sliding on
the asphalt towards her…

She takes off running…as the Volkswagen van EXPLODES BEHIND
HER.

She cuts through the backyard of a house — THE CAMERA TAKING
OFF WITH HER — over their fence, in the backyard over the
fence into another yard. She trips, falling into the other
house’s swimming pool. Instead of splashing around, the Bride
swims like she was in the Olympics, till she’s in the shallow
end. Without breaking her stride, she runs out of the pool.
Now with her gun out, the sopping wet Bride gets to the front
of the house. It’s located on a cul de sac.

WHEN…

Yuki’s sports car pulls up at the end of the street.

Both women see the other.

Yuki hits the gas, firing her machine gun out the window of
her car as she speeds down the dead-end street.

The Bride, runs across lawns and hides behind parked cars on
the street, as the bullets rip up homes, lawns, and
automobiles.

When Yuki’s car reaches the end of the dead end,…

She jerks the wheel…

SPINNING the car around, pointing it in the opposite
direction.

SHE HITS THE GAS AGAIN…

SHE PULLS THE MACHINE GUN TRIGGER AGAIN…

BULLETS TEAR UP the cars lining the street.

In the hail of bullets, the Bride tries to fire back.

Yuki reaches the end of the street and spins the car around.

She gets ready to make a third pass.

Some PEOPLE in the house behind the Bride, look out of their
front door.

The Bride yells at them;

THE BRIDE
Stay in your house and stay down on
the floor!

Yuki speeds after her, but this time she pops the curb and
drives across the front lawns on the street heading right for
her.

The Bride runs into the house she’s in front of.

She runs through the living room, to the kitchen and the back
door, but the kitchen’s where the family that lives here is
hiding and they block the door.

Yuki’s sports car pulls up in front of the house. She stands
up in the convertible. Takes out a grenade, pulls the pin and
says;

YUKI (JAPANESE)
Time for the rabbit to come out of
her hole!

She lobs the grenade up on the porch, then throws herself
face down on the lawn.

The porch and the front of the house explodes into splinters.

Everybody in the kitchen is blown back.

Realizing there’s no getting out of the back door, the Bride
runs back into the living room that’s now missing a wall, and
runs up the home’s staircase leading to the bedrooms.

Yuki steps into the house, sub-machine gun in hand…

The Bride makes it to the top of the stairs, and is just
about to disappear behind the upstairs hallway wall…

WHEN…

Yuki fires up at her, hitting her twice in the leg.

The upstairs hallway, two bedroom doorways line both sides of
the hallway. The Bride crashes to the floor — SCREAMING –
blood pours out of her gunshots.

Yuki charges up the stairs…machine gun blazing, tearing up
the house.

The Bride aims her 9mm where she expects Yuki to emerge.

Yuki gets to the top of the stairs, and steps into the
hallway.

The Bride fires…

The Bride’s bullet wings Yuki in the left breast, knocking
her through a bedroom doorway.

THE BRIDE
(to herself)
Gotcha!

Yuki screams like a little girl at the pain. She yells from
the doorway into the hallway;

YUKI (JAPANESE)
You fucking bitch! You shot me in
my breast! They’re not fully
developed yet, you fucking asshole!
Now I’m always gonna have a dimple!

The Bride answers Yuki back with an imitation of Yuki’s
giggle, which makes the youngin blow her top.

YUKI (JAPANESE)
Piss me off!

She fires her machine gun around the corner, tearing up
everything around the Bride.

When the young girl stops firing, the Bride yells;

THE BRIDE (JAPANESE)
Yuki, in about two minutes there’s
going to be an army of police here.
So if you’re gonna kill me, now’s
the time.

From her hiding place, Yuki snorts a line of baby blue
powder. It gives her energy.

THE BRIDE (O.S., ENGLISH)
So what’s it gonna be bitch?

Slapping a new clip in her machine gun.

YUKI (JAPANESE)
That fucking does it!

Yuki comes around the corner FIRING her machine gun in the
Bride’s direction, ripping up everything around her.

The Bride lying flat on the floor fires her 9mm.

The explosion of ammo creates the hysteria of warfare combat.

Yuki charges the Bride, Kamakazi style.

Three more bullets rip into the Bride, the Bride fires up at
Yuki, hitting her three times in the body, knocking her off
her feet, and sending her tumbling down the stairs.

The Bride shot up, pulls herself to the top of the stairs.
She sees Yuki lying at the bottom, dead.

Yuki’s face, dead, eyes closed…then they pop up open…
Guess what…she’s not dead. Though she’s bloody and her
schoolgirl uniform is filled with bullet holes she rises. Her
head turns in the direction of the Bride…

The Bride sees this and can’t believe it…

They lock eyes…

…Yuki, who no longer has the machine gun, takes out a
deadly looking knife and snaps it open with a smile that
builds to a scream…

She charges up the steps at the Bride.

The startled Bride fires at her…the 9mm’s empty…

Yuki charging up the steps, yelling, knife raised high…

The Bride, hurriedly removes the pistol she keeps in her
ankle holster.

Yuki chargin…

The Bride cocks back the hammer…

…Yuki charging, getting closer…

The Bride FIRES

Bullet hits Yuki, stops her for a quarter of a second, but
she keeps charging…

The Bride fires again…

Yuki jerks but keeps on charging…

Bride fires…

Yuki jerks, but keeps charging…

Bride fires…

Yuki jerks, keeps chargin, almost at her, knife raised
high…

The Bride FIRES

Yuki jerks, but keeps charging, knife ready to do its duty…

The Bride fires, but her gun jams…

Yuki leaps on her with the knife…

They struggle for a moment…

…TILL…

…The Bride realizes Yuki’s dead. She tosses her to the
side.

THE BRIDE
Goddamn, what a wildcat.

INT. NURSE OWEN’S HOME – NIGHT

The phone rings and a black woman in a nurse’s uniform with a
name tag on it that reads, “B. Owens,” answers the phone.

NURSE OWENS
Hello.

CU The Bride
on her cell phone, a business card in her hand, with a number
written on the back that says, “B. Owens,” and her phone
number. She’s bleeding from her five bullet holes. Sitting in
a pool of her own blood. She’s starting to tremble. We can’t
see where she’s at, but it’s somewhere surrounded by wood
planks. The moon shines into the structure.

THE BRIDE
Hello, I’m calling Nurse Owens –

NURSE OWENS
Who is this.

THE BRIDE
You don’t know me, but –

NURSE OWENS
— And I don’t want to neither. Now
I don’t know how you got my number,
but you can just rip that shit up,
because –

THE BRIDE
— I’ve been shot five times –

NURSE OWENS
— Stop, I don’t wanna hear no
more. I got problems of my own.

THE BRIDE
I’m dying.

NURSE OWENS
Then bitch, you better call
yourself a ambulance, cause I don’t
do this shit no more.

THE BRIDE
I can’t call an ambulance.

NURSE OWENS
— No, you can call a ambulance,
you just don’t want to. But if your
ass is really dying, you ain’t got
no motherfuckin choice.

THE BRIDE
I do have a choice, and I’m
choosing to call you. If you refuse
to help me, I’ll die. And that will
be your choice.

NURSE OWENS
Bitch, I don’t even know you!

THE BRIDE
What do you need to know? I’m from
Earth, I’m a woman, I’m dying, and
only you can help me.

Her last line has an effect on the hard-hearted nurse.

NURSE OWENS
Okay, where you at?

THE BRIDE
I’m in Hawthorne. I’m hiding in a
kids treehouse. It’s a street
called, “Dimmick”. 1-7-3-6 Dimmick
Avenue. There’s a bunch of police
cars and firetrucks, about two
blocks away.

NURSE OWENS
Whatcha do, crawl two blocks?

THE BRIDE
If you can’t walk, you better
crawl.

Nurse Owens likes that last line.

NURSE OWENS
You got you some money dontcha, or
am I doin this out of the goodness
of my heart?

THE BRIDE
You come and get me, today’s pay
day.

NURSE OWENS
You ain’t too far away. You gonna
bleed to death I get there in a
half a hour?

THE BRIDE
Probably.

NURSE OWENS
Okay, I’ll be there in fifteen
minutes.

THE BRIDE
Is that Pacific Standard Time, or
C.P.T.?

NURSE OWENS
Just you better be there when I get
there, and you better be shot five
times, and your bony ass better be
on your last motherfuckin legs.

THE BRIDE
How do you know I have a bony ass?

NURSE OWENS
You sound like you have a bony ass.

The Nurse hangs up the phone.

INT. TREEHOUSE – NIGHT

The Bride sits in her own blood waiting for Nurse Owens.

Nurse Owens’ head pops up from the door in the floor.

THE BRIDE
Glad you made it.

NURSE OWENS
There’s cops all over here, I had
to be cool. They tend to notice
things like Negroes sneaking around
people’s backyards.

The nurse hands the Bride a big bottle of Wild Turkey.

THE BRIDE
What’s that?

NURSE OWENS
This shit’s gonna hurt, and I ain’t
got no anesthetic.
(refers to the bottle)
So git busy.

INT. NURSE OWEN’S KITCHEN – NIGHT

OVERHEAD SHOT
The Bride laid out on Nurse Owens’ kitchen table, while the
nurse extracts the bullets.

The Bride screams.

The TV is turned up loud to hide the screams.

The fifth slug is placed in an ashtray next to three
cigarette butts and other balls of lead.

The Bride, drunk as a skunk, says to her savior;

THE BRIDE
That fuckin smarts.

Smoking her menthol Kool, Nurse Owens says;

NURSE OWENS
Yeah, bullets are bad news. In the
future, you should avoid them if
you can.

THE BRIDE
I’ll keep that in mind. So, do I
have a future?

NURSE OWENS
You’ll live to kill again.

THE BRIDE
Splendid.

She passes out.

FADE TO BLACK.

The road to being a PHP ninja, part 2: Putting PHP to work

Dan — Sat, 26 Nov 2011 20:44:36 +0000

In the first part of this series, we learned how exactly PHP works and functions. We learned how to call PHP within a file, the basic functions echo() and print(), and how to work with variables. It didn’t seem that hard, now did it?

One of the most common things PHP is used for is capturing data from a user and then doing something with it, such as storing it in a database or displaying back. Today we are going to step you into that process to show how simple it can be.

Setting up the form

Forms are everywhere on the net and the primary way that users input information into websites. Let’s start with something simple:

//index.php

Above is a simple HTML skeleton with a form tag and a couple of input tags nested inside. The beef of this is the form which will capture the data entered into your inputs and send them to “name.php” which is shown by the attribute action=”name.php”.

The method=”post” attribute describes that we will be sending the request with a POST header.

Adding function to your form with PHP

Before you submitted the information from your form to “name.php” so we should create that file next.

//name.php


  
    
  
  
    Hello ".$name."";
    ?>

See what we did there? If not, let me break it down for you:

$_POST is a special PHP variable that gets the POST parameters of a form. Basically, when you create a form with action=”post”, the inputs are assigned to the $_POST array (but what’s an array? We’ll get back to that in a little). You can then get the value of the input by using the input’s “name”.

PHP also supports the GET method as well. Represented by a $_GET array, the GET parameter can be instead used on your form with method=”get”.

Making decisions

One of the core functions of PHP is to make decisions based on a conditional statement and act on that decision. This makes your scripts smarter skynet* and able to do various actions based on the result from this statement.

To help determine the result of a conditional statement, you will most commonly use the <, >, =, and ! operators. Let’s see how to set these up in PHP:

 $one); // $test1 will equal true.

  $test2 = ($three < $one); // $text2 will equal false.

?>

Let’s start with this. $test1 is the test of 3 being greater than (>) 1. Since this is true, the condition returns true. $test2 is the exact same conditional statement except that we switch the greater than (>) to a less than (<). Because 3 is not less than 1, the statement returns false.

" to make it "greater than or equal to"
  // "3 is greater than or equal to 3"
  // $test3 will equal true
  $test3 = ($three >= $three);

  // We do the same as we did above…
  // "3 is less than or equal to 1"
  // $test4 will equal false
  $test4 = ($three <= $one);

  // We can also see if variables equal each other
  // $test5 will equal true.
  $test5 = ($one == $s_one);

  // PHP also includes a way to check a variable's value AND type
  // The below will return false because $one is a integer and
  // $s_one is a string.
  $test6 = ($one === $s_one);

  // To see if things do not equal each other, we use the "!"
  // $test6 will equal true.
  $test7 = ($boat != $s_one);

  //In $test7, we can also use "<>" in place of "!="

?>

Compounding smarts

The comparison operators are also complimented by a set of four logical operators. The purpose of these logical operators are to group your conditional statements together to create a larger and more dynamic statement. These operators are AND, OR, NOT, XOR.
Let’s see them in action:

Logical operates are just as simple as operators used in conditional statements. They are important because they allow you to group your conditional statements logically and without mucking up your PHP.

A function for everyone

Now that you understand conditional and logical operators, you can make your scripts act on the decisions made by your conditional statements. To do this, you need to take advantage of the if() function:

  if(condition)
  {
    //This happens
  }

if() accepts an argument that can be a conditional statement which is evaluated to a true or false. If the conditional statement is true, then if() executes the code inside of your curly brackets. If not, the code in your brackets is skipped.

Let me extend my name script above to show another example with if():

//name.php


  
    
  
  

    
      Hello

Along with showing a live example of if(), we also created an if-else construct. This is the else after the if()‘s brackets, and contains its own set of brackets. This second set of brackets is executed if your conditional statement returns false. Don’t get it in your head that else is required; omitting else will just cause nothing to happen in the case of your conditional statement returning false.

Compressing your statements

PHP includes a few tricks to shrink your statements.

The ternary operator, which is represented by a question mark (?), allows you create single statement if-else blocks. For example, the code on lines 14 through 18 in the example above can be written as:

The drawback of using the ternary operator is that you lose the logical flow of PHP, which makes it harder for people to read. The ternary operator is best used in templates (using templates to separate your PHP and HTML is a more advanced topic for one rainy day later).

Another method to compress your statements is something you already know: logical operators. Using logical operators allows you to compress nested if() functions:

This allows you code to be a lot more readable and prevents you from using extra of lines. Overall, the latter method should be used as much as possible.

Wrapping it all up

That’s about it for this tutorial. Hopefully by the end of it, you understand conditional and logical operators and have a grasp on one of the most important PHP functions, if(). Reading over this tutorial a few times is something you should do; by memorizing the conditional and logical operators, you’ll be able to write PHP faster than having to constantly looking them up.

In our next tutorial we will be stepping you into more advanced structures, variables types, and a few smarter scripts.

Posting Part 2 of my PHP tutorial series today.

Dan — Sat, 26 Nov 2011 14:10:51 +0000

This post is here to remind me to stay on track.

UPDATE: Sorry for the delay, I fell behind in finishing up the second tutorial, but I’m going to do my best to post it ASAP – most likely late tonight.

Harmony 0.2.1 update

Dan — Fri, 25 Nov 2011 15:41:57 +0000

Just posted an update to the Harmony framework. Just a small bug fix that prevented the thing from being usable at all.

Nothing besides the bug fix has been updated, as the next update (0.3) will contain many of the newer enhancements, including YAML configuration loaders for components to move functions and loaders from the Harmony singleton.

Update on the way.

The Twig Framework

Dan — Mon, 21 Nov 2011 02:31:59 +0000

is amazing. I’m going to write a quick tutorial on it soon.

See the Twig Framework website.

Proactively procrastinating

Dan — Sat, 19 Nov 2011 14:48:04 +0000

I really really do not want to work on my resume.

So instead I’m cleaning the kitchen.